The Sound-Scapes of OMBIENT
Ombient and Chuck van Zyl - KL-98
Back in May 2017 Ombient (Mike Hunter) w/Chuck van Zyl played a show at The Gatherings Concert Series. We are making that set available on Bandcamp as a digital album. Proceeds from the sale of "The Gatherings 20 May 2017" by Ombient w/Chuck van Zyl go to support the efforts of CIMA of PA, the IRS recognized, non-profit, all-volunteer organization which oversees The Gatherings Concert Series in Philadelphia. You can see a video excerpt of this concert HERE. You can buy this album, of which 100% of the cost goest CIMA of Philadephia, buy clicking HERE.
Sectio Aurea, the latest studio CD from Ombient has been released. You can order it now, in physical or digital formats, here or at itunes HERE
Listen to the title track at the bottom of this page!
"Reviews of Sectio Aurea
"We are currently going through a significant second renaissance of the synthesizer. Once a machine of quirk and novelty, a hi-tech orchestral stand-in, sonic augmentator in service of an entire cadre of rock and jazz outfits, and springboard for generations of novices, entrepreneurs, and full-time expert knob-twiddling artisans alike, the synthesizer has long since achieved a ubiquity across music construction with the same pre-eminent singularity as the guitar. But that doesn’t mean the long-venerated instrument has fallen into idealistic disrepair—a whole legion of enthusiastic experimentalists, aided and abetted by both contemporary app technology and many a manufacturers’s renewed zeal in the instrument, has arisen to champion the art of electronic noise in order to better sculpt the noise fueling the art.
Mike Hunter, better known under his nom de disque Ombient, is one such ardent enthusiast. On his latest CD, Sectio Aurea, Hunter’s passion for the synthesizer is made abundantly, deeply, unremittingly clear. Synth albums using sequencers as their core building blocks are a dime-a-dozen these days—hell, they’ve been an accepted part of electronic ‘genre’ music since Tangerine Dream and Klaus Schulze first blasted them into the permanent soundscape decades ago. Appropriated by hundreds of post-Krautrock denizens, hirsute New Agers, and whole scores of European copycats since, and reoriented back into the general vernacular by a younger generation (see Oneohtrix Point Never, Steve Moore, Pulse Emitter, Emeralds, etc.), sequencer music has become virtual common coin among synthesists of varied stripes. That so much exists to have become cliché is only relevant to those whose creations posit rigid single mindedness amid a bankrupt sense of programming. Hunter’s music, though obviously influenced by the time-passages of TD, Schulze, Steve Roach, and any one of a dozen past agencies, brilliantly navigates across a series of blistering sequencer headstorms composed with clean hands and enormous gusto.
And to what end? Aural bliss, for one. Sectio Aurea exclaims a love of pulse, of mantra, of repetition as means to a hypnotic end. Hunter revels in the ever-expanding cycles of his moiré-like sequencer patterns, looping them amidst some viscuous, oil-slick eddies of well-daubed synth color. Minimalism is his trump card, variation his secret weapon. Across the near twenty minute tableaux of “Ataraxia”, the listener is propelled into a finely knotted web of interlocking patterns that sync up in near-kaleidoscopic reverie yet nevertheless change and alter with seeming abandon. Where most synth/sequencer music is content to rest on its well-tested laurels, a mere program left on auto-repeat while the artist breaks for lunch, Hunter is hands-on, unsatisfied until he’s wrung every last bit of kinetic energy from his modular array. The effect of Ombient music derives from its potent affect, a passion play made flesh by the telepathic camaraderie between instrument and composer. " ~DARREN BERGSTEIN, Anodize Records
The new Ombient CD "Space Patrol" has been released as of May 16th 2015
An overview of Space Patrol:
"Space Patrol (61'10") is the product of a synergistic magic generated between Mike Hunter (a.k.a. Ombient) and Chuck van Zyl. Their four momentous, far-reaching concerts, held over a 48 hour period in December 2013, were realized in one weekend spent in high gear - on the brink of self-destruction. It was a time during which the duo seemed to have spent more attention on executing their music across four different venues than on maintaining any semblance of personal congruity. Space Patrol is the resulting live album. Taking the listener with it, into a realm without words, the music sustains your attention from the very first note. Held together by texture, melodic narratives and atmosphere, Space Patrol propels the listener through a trackless void. Its sonic surfaces are rich, complex and saturated with meaning, as resonant melodies hide in huge vaporous spheres of sound. In a vocabulary of repeating patterns the duo navigates their own tributary of the Berlin-School. Dancing arpeggio notes, resonant analogue tones and interlocking percussion accents surge out of breathing synthesizer swells - while soft percussive chiffs and royal electronic bleeps echo out across vividly imagined distances. As deeply breathing chords stack up and sustain, machine-like synchronized sequencer runs gain momentum - cycling in lock step against a trail of echoes and dreamy tonal interplay. Hunter's analog style step sequencer, and its seemingly endless facility for composition, repetition and variation, drives this music's motoric tick-tock timing. Amidst this kinetic kaleidoscope of rhythm, van Zyl releases a ribbon of heroic synth leads, as well as soft Mellotron flutes, strings and choirs. The beauty of this work comes from its many strands, heard individually and comprehended collectively. At the center of Space Patrol's three tracks is an area without form. Although possessing a shape, no one will ever completely explain the mysteries of this hot spot. The expanding soundfield has apparently left a gap in this region - for reasons that are not yet understood. The zone invites multiple interpretations, and while its meaning may be slippery, its power is unmistakable. In a compulsively detailed swirl of moods and impressions, this duo is pulled toward a hard chill - and the revivifying power of creativity. Mike Hunter and Chuck van Zyl create a realm so complete, the most difficult part of their Space Patrol will be the return to Earth." - Press Release
Available for order
If you are in the USA, copies of this release can be ordered here for $15.00USD (physical) and $9.99 for MP3's
If you are In Europe, you can order here for £10.83 (exc) £12.99 (inc)
You can pick up older releases of Ombient recordings at ombient.bandcamp.com. Most are available at "name your own price."